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FULL TIME FACULTY

Noah Lucé Head ShotNoah Lucé
Artistic Director of Theatre Arts Program, Actor, Director, and Teacher

Noah Lucé (he/they) is a director, actor, intimacy choreographer, and educator whose work spans professional, educational, and community-based theatre across the country. Noah serves as Associate Artistic Director of New Canon Theatre Company, is an Assistant Faculty Member with Theatrical Intimacy Education, and is a Lecturer in Drama at the University of California, Santa Cruz. He holds an MFA in Theatre Arts from the University of Idaho, an MA in Theatre from UC Santa Cruz, and a BFA from Cornish College of the Arts, and trained at the PCPA. His work centers on bold storytelling, collaborative artistry, and creating spaces where artists can take meaningful creative risks with care and confidence.

His directing credits include Romeo & Juliet, An Iliad, Life Sucks., and Much Ado About Nothing (2023 Monterey County Production of the Year) with New Canon Theatre Company; I Am My Own Wife at Mendocino Theatre Company; Eurydice and A Midsummer Night’s Dream at UC Santa Cruz; and The Stonewater Rapture, Witch, and Dog Sees God: Confessions of a Teenage Blockhead at Lake Superior State University.

As an actor, Noah has performed up and down the West Coast, most recently appearing in New Canon Theatre Company’s world premiere of Finding Chase by C. Wright and as Horatio in Hamlet. He has also appeared internationally in Anuvab Pal’s play Admission (EnActe & Rage Productions). As an intimacy, fight, and movement director, he has worked with Santa Cruz Shakespeare, Mendocino Theatre Company, City Lights Theater Company, The Western Stage, UC Santa Cruz, Theatre Rhinoceros, and Spreckels Theatre Company, among others.

To discover more, please visit: www.noahluce.com.

Email: Noah_Luce@cuesta.edu 


 

PART TIME FACULTY

Barbara Abbott

Barbara Abbott

Barbara Harvey Abbott is thrilled to have recently joined the Performing Arts team at Cuesta and teaches Costume Construction (DRA 236 & 237), because she loves helping people develop the ability to sew or deepen the skills they already have. She studied Technical Theatre at Pepperdine University and received her MFA in Costume Design from Indiana University. Locally, Barbara has designed costumes for shows at SLO Repertory Theatre, Opera SLO, and Central Coast Gilbert & Sullivan and worked as a Cutter/Draper at PCPA. In addition to costuming, she enjoys raising her four young daughters and has a passion for fermenting foods and exploring the art of hand sewing and visible mending. She shares her visible mending and alteration projects on IG @seamstressbabs.

Email: Barbara_Abbott@cuesta.edu


 

Ryan Flores Head ShotRYAN FLORES

Ryan Flores (he/him) is honored to be part of the award-winning Performing Arts Department at Cuesta College, where he serves as the instructor for Entertainment Lighting (DRA 212) and the department’s resident lighting designer. Ryan has designed lighting for several acclaimed Cuesta productions, including The Curious Incident of the Dog in the Night-Time and James and the Giant Peach, which collectively earned 20 national awards through the American College Theater Festival (ACTF). He is especially proud of the collaboration between the creative team and dedicated Cuesta students that helped achieve this remarkable recognition.

In addition to his work at Cuesta, Ryan serves as a freelance Lighting Designer and Technical Director throughout the Central Coast. Each year, he collaborates with approximately 15 organizations, helping bring a wide variety of live events and productions to life. His experience working with diverse teams, venues, and technical systems has strengthened both his artistic vision and technical expertise.

Ryan also serves as the Managing Director of the Templeton Performing Arts Center, where he is helping lead the venue into an exciting new era while establishing it as North County’s Premier Indoor Performance Venue.

Theatre, and particularly theatrical lighting design, is Ryan’s greatest passion. He is continually inspired by the power of technology to enhance storytelling and create meaningful audience experiences. Throughout his career, he has contributed to more than 150 live productions, including plays, musicals, concerts, and immersive fundraising events. Outside of the theatre, Ryan enjoys traveling, watching horror films, and experiencing innovative live performances.

Ryan is passionate about mentoring the next generation of lighting and technical theatre artists. Through access to two fully equipped performance spaces and a hands-on learning environment, students gain practical experience while developing the skills needed to succeed in the industry. Ryan emphasizes collaboration, communication, and professionalism, fostering an environment where students can grow as artists, technicians, and creative problem-solvers.

Email: Ryan_Flores@cuesta.edu


 

Philip Valle Head ShotPHILIP VALLE

Mr. Valle is a writer, director and musician. His earliest play, The Stall, was first produced by the Dept. of Theatre while he was an undergrad at U.C. Berkeley, majoring in comparative literature. After moving east, as head of theatre at Northland College, Wisconsin, Mr. Valle was awarded a grant to direct The Ophelia Project: a devised touring collaboration between teenage girls and their respective communities. He received his MFA from Arizona State University, where his multimedia work, Lincoln’s Sassy Nation, was awarded full production by the IST - Institute for Studies in the Arts.

Mr. Valle has taught courses in Theatre History, Playwriting, Directing, Acting and Devising for Northland College, Arizona State, University of La Verne, Cuesta College and the Department of Theatre and Dance at Cal Poly.  He has been the guest artist for Universidad Nacional Autónoma de México in Mexico City and The Kennedy Center in Washington D.C., where he taught master’s workshops in directing and devising. In 2020, Mr. Valle received the Outstanding Faculty Award from Cal Poly’s Honors College, where he developed a course in Creativity.

Mr. Valle’s original theatrical works, performed in the United States, Canada and Mexico, are inspired by the history of social justice, from the civil rights movement to the anarchic rise of rock and roll. Recent productions of his plays pool ’63, Refried Elvis and the immersive play Ghost Ship received numerous national awards, including Outstanding Production of a Devised Work and Outstanding Theatrical Creation from The Kennedy Center. In 2019, Mr. Valle presented his research in the "Cognitive Science of Creativity" at Queen’s University – Belfast, Northern Ireland. In 2022, Mr. Valle joined collaborators in Mumbai, India for an ongoing devised theatrical/film project addressing global climate justice and the fashion industry entitled The Bombay Runway.

Mr. Valle is currently the co-founder of The Staging Change Project, an outreach program addressing climate science by providing transformative performing arts curriculum to thousands of students across San Luis Obispo county. In 2025, Mr. Valle and his student research team will present a workshop about environmental justice for the International Drama and Education Conference in Athens, Greece.

Email: PValle@cuesta.edu


 

Brian Williams Head ShotBrian Williams

Brian Williams brings over two decades of professional experience in theater and the fine arts. A lifelong artist, he has worked across nearly every medium, cultivating a versatile skill set that bridges traditional and contemporary practices. Prior to joining Cuesta College, Brian taught fine art for a variety of arts organizations and worked extensively as a freelance set and prop designer throughout the county. His professional credits include productions with the San Luis Obispo Little Theatre, Opera San Luis Obispo, the Pacific Conservatory Theatre (PCPA) prop department, and service as Technical Director at The Great American Melodrama, among others.

Brian’s connection to Cuesta College spans more than twenty years, beginning as a student whose first set design was created on this very campus. Since then, he has contributed to numerous Cuesta productions, bringing both technical expertise and creative vision to the stage.

In his teaching, Brian emphasizes collaboration, exploration, and reflective practice. He describes his pedagogical philosophy as one in which learning is reciprocal:

“Every teaching opportunity is a chance to learn something new—about myself, about my students, about the world, and about the process. I believe the process is far more important than the finished product, because it is within the process that discoveries are made. It is through those discoveries that the finished product ultimately comes to life, whether on the page or on the stage.”

Email: Brian_Williams@cuesta.edu